Hoag’s Tour Diary: Spring 2014 “20-Tour”

Wednesday Kansas City: Jill’s house

As we pulled in to Jill’s place we thought to ourselves, “This neighborhood looks kinda familiar.” Later on when one of the guests arrived (Chrissy) we were able to confirm that 3 years ago we played this SAME BLOCK when we played Chrissy’s house on our first ever 20-Tours. (For those of you in the dark, a “20-tour” is a fan-hosted show we play acoustically at somebody’s house (or maybe a nearby park or something) and we typically play about 20 songs, for around 20 people, for a 20-day tour).

So anyway, what are the chances that two different 20-Tour hosts—completely unrelated—from Kansas City, hosting 3 years apart, would live on the same freaking block? Seriously, this is not rhetorical, if you are a science-type, I want you to provide me with some percentage-likelihood’s here.

Had a fantastic first show of the tour here at Jill’s. Her friend Krissy co-hosted, and the two of them did a great job setting up a nice backyard vibe. Set back from the porch there sat a very photogenic tool-shed that we all gathered around for a group photo. I’m pretty sure it’s our facebook cover photo now.

Standout moments from the show:  Bonesaw initiating a somewhat un-flattering game of “Each-band-member-intentionally-messes-up-during-the-following-song-and-audience-judges-which-messup-was-the-best-and-most-harmful-to-the-tune”. Kind of an odd idea, and a game we’ve never played before on PURPOSE, but the results were funny. I decided to use my mess-up immediately by playing a completely different beat and tempo (the song was “I Wanna go Home”), and Smell followed suit with some very distracting and loud off-beat cowbelling. Bonesaw waited a while until after the bridge, when he dropped the key a half-step which made for a decidedly confusing experience and inspired a repellent reaction from the crowd, akin the wrong sides of magnets trying to deal with each other.  Sean saved his for the very end of the song, when he played a horrible final note of dissonance. When polled, the audience agreed that Bonesaw’s half-step key change was the worst (best?).

Another great moment: Jill and Krissy dueting a couple songs mid-set and as an encore, Jill on guitar and vocals and Krissy on a drum. It’s rare that hosts play a song during the set, so this was a wonderful treat. Well done, ya’ll two!

Also great to see some KC standby’s out that night, like Taylor, Ashleigh, Chelsea, and of course former 20-Tour host and fellow neighborhooder Chrissy Frische.








Checked into a most-excellent Wyndham for three nights near Chicago. Special thanks to our travel agent Dan Hernandez for setting us up here. Man, Wyndham Wingate’s are the best. We got a lot of Days Inn’s on this tour too, though, which are in the Wyndham family (and so under the purview of Dan and his connections), and I think I’ve finally hit upon the difference in quality between a Wingate and a Days Inn. I’m not saying this to complain, Dan, I hope you know that. I’m just a hotel connoisseur and I pride myself on being able to speak articulately on the subject. So here it is, summed up: Days Inns aren’t bad, but they’re sort of like the Civic to the Wingate’s Accord. They seem to earnestly yearn for acceptance with a self-conscious, “Hey guys, look at me, I can do hotel stuff too!”

Anyway, we had a great stay in Chicago at that Wingate. Thursday we were off, so I went with Sean and Bonesaw to see “Captain America”, who is a bad-ass, but like a Days Inn, has always struck me as a Civic in Superman’s more impressive Accord universe.

The following evening we headed downtown to hang out a bit before our electric show(one of only two this tour) at the Elbo Room. In our wanderings we found a sweet toy store with an amazing offering of puppets for sale. I bought a very versatile and expressive chicken puppet that will soon be getting a lot of gigs under “Full Service Films” (Red Team-Blue Team Productions).

The show at the Elbo Room went pretty hard. I’d been spending a few days deep in a Guns n Roses YouTube wormhole watching live footage from 87-92, so my tank was pretty full with high-octane rock fuel for this electric gig. I channeled my inner Steven Adler and punished those drums as best I could.

Adam, promoter for the Elbo room, as always treated us like Kings, and in fact he brought in a film crew to document the night, as he is trying to ramp things up at his club and show the Chicago scene that this room (new lights, sound system, promotional efforts, even refurnished Green room) is legit. It was an honor that he chose our performance to be representative of the room’s new cool-factor. He even filmed myself and a bunch of friends after the show being loud and partyish in the green room. He said it was the first time it’s really been used and he wanted to show how fun it could be. We were happy to oblige!

Chicago always comes out for FS. Dustin, the Adams’s, Dave Garbe, Ian, Lauren (thanks for the necklackes!), Nneka, Aubrey and Andy, Shelby, Cousin Will, Jim, Jon Adams, Ryan, etc….(who’d I miss? Don’t be afraid to call me out)….you guys are certainly the core and we thank you for always being there. Paul and Dorian, too!

Standout moment: I wasn’t fully aware of what was going on when it actually happened, and I’m still not sure I really get it, but I’m pretty sure Bonesaw invited somebody up to the stage and presented them with a bowling trophy? Can anybody confirm and explain this?





Bonesaw necklace


After a rough night’s sleep (thanks, beer) we woke up and headed out to a public park clubhouse to play a surprise party that Nicole organized for her husband Don (and also for her brother Adam. Gosh….wait….his name was Adam, right? And it was her brother, right? I’m so ashamed). Balloons, cakes, a really high-level potato salad, and lots of friends and family (“kids from 1 to 92”, as they say).

When we finished our set, Don told us we had officially secured “number 1 favorite band” status in his book, which is always a nice thing to here. Nicole, you and your sister and family did a spectacular job with this event, you should be very proud. We can all only hope for such a loving partner in our lives. Don is a lucky man.



unnamed (1)


Next morning. Time to head out to Andy and Senoa’s show for our Chicago finale. The rain moved us inside, but after some slight re-arranging of the living room, we were confident we had created the perfect indoor 20-Tour vibe. Add to that Senoa’s chili, a local beer called “A Little Crazy”, a bunch of dogs, several rowdy Chicagoans, and some Jack Daniels for myself, and you’ve got one for the ages, folks. We broke mid-set to take 10 minutes and write a song dedicated to the show and the hosts (something we don’t always do, but have done before), and emerged with an incredibly stupid tune in the style of KISS (as requested by a fan known as “Sixthman Alex”) that touched on—among other things—Senoa’s chili and its potential for a dangerous fart-box scenario, what with 30 or so people crammed in a small living room.












Indianapolis, IN

From a living to a garage, we play it all. Ryan and Timea had us over for their second 20-Tour hosting, which (did you know this?) grants them automatic and immediate entry into the Full Service Fansaw Hall of Fame! Well done, guys! The first time they hosted, we were all out on some property they’d recently purchased, but this time we came to their house and set up in their garage. (It’s not often our stage is flanked by an ATV four-wheeler and a large snow-blower, but, like I said…we have a very loose concept of “stage”).

Best moment of the show? Ryan’s wife Timea, a student of the bass guitar, replacing Sean on our song “Revisited” has to be the winner. Kick-ass job, Timea. But in a close second-place, I’d have to put my post-show snowball-pegging of Smellman, captured incredibly by Bonesaw in this photo.

If there were a level beyond FS Fansaw Hall of Famer, Ryan and Timea would surely be inducted, and for the following reason; they sent us home with samples of a home-made wine they recently bottled bearing the name “Sunsplash”—a reference to a song from our 2009 album “The Earth Still Wants You”. Sunsplash is a Strawberry Rhubarb concoction that we hope to serve at the 2014 Full Service Circus this coming October. Thanks Ryan and Timea!




FS Ryan

Bone ryan

FS ryan




Swift Creek Farms, South Carolina

It was a long drive (deep to right field) from Chicago to South Carolina, but mostly painless thanks to a good book (Jonathon Lethem’s “Fortress of Solitude”) and Guns n Roses YouTube clips. It was late when we pulled into my sister-in-law’s dad’s house on a farm in South Carolina. We pretty much let ourselves into the guest house and passed out.

But when we woke up….wow. This property was paradise. Horses, gardens, a pool, tennis, basketball, archery, a pond, an off-site campground reachable by bike or Mule, the works. My brother Tyler was unfortunately on an assignment for the New York Times (in Chicago, of all places), but my three nieces and one nephew were all there in full spring break mode. Which, because they are between the ages of 5 and 12, is all pool, movies, archery, s’mores, campfires, and in the case of my and Bonesaw’s nephew Mackey, 45 games of basketball a day. (Kid never stops. And I’m through going easy on him, because he can play. He’s half my size but in the last year he’s developed a serious head-fake that I ALWAYS bite on. The games got so intense that we actually both drew blood on each other).

My sister-in-law Jen’s father Mike, and his wife Tina, invited several of their friends over and we set up in front of the pool for a twilight set. After the concert we all headed out to the campsite for s’mores by the campfire and eventually into the teepee for some games of “7 Beep Beep”. Every played that? You go in a circle saying 1, 2, 3, 4, and so on until somebody gets to a number that either has “7” in it (like 17) or is a multiple OF 7 (like 42). The goal is to get to 100. It’s way harder than it sounds. But we did it. Mostly thanks to the kids, who are fresh off their memorization of multiplication tables in school.





mack stash

us and the kids

lil dude and rory


Not a far drive to Charleston, SC  the next day for our show hosted by Matt Appleman at his venue the Brick House, so we arrived with plenty of time to visit Sean’s brother, sister-in-law, and nieces and nephews. Those kids are so sweet. The oldest girl, Austyn (8), melted my heart when, after our show at the Brick House, she came up to me and whispered “you have such a BEAUTIFUL voice”. Her words meant even more to me in light of the fact that our show was not very well attended, despite the tireless promoting efforts of Matt and the Brick House. We simply don’t have much of a following in Charleston, and for that we are sorry, Matt. But we had fun nonetheless, because of Sean’s family, our old friend Anna, fellow rugged traveler Dave Cardonick, and of course the great people at the Brick House, from Matt all the way to the monitor guy, an older dude with big hands who I was told could play a mean bass guitar. Thanks, too, to the owner Chris, who is fighting hard to create a venue that the people of Charleston can be proud of and excited about, but who is also having a tough time with permitting requirements and noise complaints. Keep on, Chris!

On to Charlotte, NC! One of Full Service’s favorite spots in America, in fact. Why? Great fans (Marino, Will, Jules, Scott, Beth, Lindsay, Jesicca, etc) and great yoga. An assortment of band members typically head over to Yoga One when we roll into Charlotte to attend class with legendary Yogi Lindsay Crisp. This time it was just me and Bonesaw (Sean hurt his back the day before, playing wiffle ball with my nephew, and Smell went off to a salvation army store in hopes of finding a hunting knife. He found one). We always do the hot yoga when we visit, which never gets easier, really. Hot Yoga is a b***h. We got through it but spent the rest of the day trying to guzzle enough water to adequately replace what we’d lost in sweat. I don’t think I ever caught up.

Anyway, later that evening we headed over to the Radke’s neighborhood to play what turned out to be our biggest 20-Tour show of the tour. Marino had a BIG crew come out to see us, and we rewarded his efforts with a Radke party theme song. Something about his “living in suburbia” but being able to throw “parties that are superbia”. Quite silly, really, but well-received I think.

Marino and Kim have a very kind family and group of friends. To their two kids Caswell and Z-Man, thank you so much for your help with the merch and the equipment. Stay in school! To Kim, it’s not every Easter the four of us get personalized Easter baskets, so thank you for that. Those snacks and towels came in handy in the Whale. And to everyone that came and rocked that neighborhood clubhouse with us, we are definitely coming back to your zip code and doing this again.




zack merch





West Virginia! Our first time here. Add it to the list, Bonesaw. And man, this one was out in the country, that’s for sure, and I mean that in the best possible way. It feels good to travel way off the grid, and Jessie and Darren hosted us with bottomless hospitality and enthusiasm. Easter egg hunt for the kiddos, Whale-coloring contest, gluten-free options, local beers, a campfire, and an excited and attentive group of family and friends. And Darren, without those signs on the way to the house, I’m not sure we ever would have made it, because google maps has not made it here yet. (Nor has AT&T for that matter).

There was some serious buzz among the audience after the show that we’d likely be seeing a lot of West Virginians at this year’s Full Service Circus, and I hope this happens. You guys have that Circus-style energy. We need you! And congratulations to the dude (what was your name? It was crazy, like “Sweezil” or something) who won Bonesaw’s “Heavy Metal Trivia” game.





Atanta, GA

Will Scroggin hosted one of the first 20-Tour shows three years ago almost to the day, so with his show on this year’s tour he obviously earned himself a spot in the FS Fansaw Hall of Fame. Atlanta is home to many standout fansaws, in fact. Nick, Emily, Dusty, Kevin, Vanessa, Brian. And we made some more this warm night in Will and Nick’s backyard. I can’t remember all of your names, but I remember we had a good time. I also remember a tasty cupcake I ate. That thing was yummy. It was so yummy, in fact, I had to make sure that the locusts and tiny red spiders falling on me from the trees above, and the multi-colored flames from the tiki torches surrounded the stage were not figments of my imagination that I owed to the baked good, but were in fact actual and real-life.

Will, you are a good dude. You surround yourself with good people, too, and it was our pleasure to have been introduced to so many new folks at this show. Big Mo! Manny and….damn, dude…what was your name? Brian? And what was the name of that dude who helped us load out all our gear? Also, Niko and his girlfriend.

Perhaps the standout moment of this night, though, was when a guy and his girlfriend (again, the name’s escape me. I blame the cupcake) came up to us after the set and told us they had originally become fans back around 2006 or 2007, when we covered and uploaded to YouTube a cover of the Mastodon song “Blood and Thunder”. They were big-time Mastodon fans and our video popped up in that realm, they said, and ever since then they’d been following us. This was their first live Full Service experience. Isn’t that crazy? All because of that Mastodon cover we uploaded to YouTube all those years ago. Great to meet you guys.


will 4

will 2

will 3


Well, it was a quick tour, but packed with action. Stay tuned for the VIDEO RECAP coming hopefully sometime this weekend. Thanks to all the hosts and all the guests! Interested in hosting a show yourself? Email Bonesaw at bone@fullservicemusic.com and he’ll put you on the list.




Recap: New Orleans for 311 Day!

Fans of the band 311 call themselves “Excitables”. Fans of the band Full Service call themselves “Circus Freaks”. Some anthropologists actually claim that there is a species out there in the wild called “Excitable Freaks”, and in fact several small tribes fitting this description were spotted about a week ago at an event in New Orleans celebrating March 11th, or—311 Day. 

Our job was simple: On the night before 311 played their big concert at Smoothie King Arena, we were to appear at a place called “The Swamp” and perform a few sets during the official “Fan Party”, hopefully hyping up the crowd into a frenzy and getting them psyched that they were here in town and about to party and celebrate 311’s annual holiday.

I love that it was called “The Offical FAN PARTY”. Damn right it was a fan party! Do other bands have fans like this? Do Vampire Weekend or Foster the People fans all high-five each other at fan parties and rent weekend houses together and make custom t-shirts and necklaces? No disrespect to those bands of course, but there’s obviously something different about 311’s fans, and—now I suppose we can say—Full Service’s fans.

Maybe it’s because our two bands exist outside popular consciousness. While the cool boys and girls gossip on the recess blacktop over a game of tag, we run around in the periphery, out in the crabgrass field around the side of the building, blissfully apart from the whispering masses, playing a game of our own devising. Nobody wins or loses our game. It’s a game of inclusion, not elimination. Of cooperation, not competition.

It’s a very fun game, and all of us played a great round a week ago in New Orleans, Louisiana, where friends from all over the country gathered to celebrate “311 Day” (March 11th). 311’s been growing this community for over 20 years and somewhere along the line they picked us up on the side of the road (quite literally, see our documentary film: “Takeover”) and asked us to join the ride. I mean, I guess we sort of forced the issue (again, see “Takeover”), but the point is, we knocked and they let us in. Club shows, three Caribbean cruises, Pow-Wow festival, and now 311 Day 2014.

After we set up our gear inside The Swamp on Bourbon, we unpacked and organized our merchandise out in the courtyard. As many of you waited outside and around the corner (and around the other corner) to get in, the Full Service and 311 teams hustled and troubleshot (troubleshooted?) for several hours inside. You guys often don’t get to see this type of behind-the-scenes work, so let me invite you in for a second.

One of the things I love about 311’s style is that their whole operation, like ours, is very small and homespun. No bloated over-management, no excess. The people in their crew are their friends, and these friends often take on responsibilities in several (very different) areas. Adam and Peter Raspler manage 311 and organized this entire event, and even though they possess a certain level of “rockstar” status amongst the fans, there they were in the grind behind the merch booth, setting up and selling posters and CDs and shirts. I had to laugh when— after Bonesaw hoisted me on his shoulders to hang Full Service T-shirts in the bamboo for display— I saw the 311 team scratching out hand-written signs and devising a makeshift system for hanging their merch that involved duct-taping a couple zip ties around two large metal poles. Not pretty, but effective. FS knows the feeling.

As you all poured in at around 4:30pm, the hugs and back-slapping commenced. There’s John Dawkins! What’s up Adams, how’s Chicago dude? Lauren and Greg, did you bring a Canadian flag? It really was a family reunion for us. We’ve seen so many of you in your cities on our club tours, your homes on our “20-Tours”, and OUR home during the Circus. To convene on such a beautiful day in New Orleans was simply perfect.

The day was definitely long. A lot of time on our feet, but who cared? It was difficult refraining from too many beers, because with all of you around it was tempting to jump all the way into the revelry, but alas, we had to stay sharp for our two sets later in the evening.

The first set—the Full Service set—was rowdy, and we thank you dearly for making it that way. Also, many thanks to Ron Henegaur for making our setlist, and to his wife Stacy for manning the merch booth. (PS—we set a sales record, so thanks to you all for that as well).

But back to the set. I have to admit it was strange for me playing on such a small stage, because it meant I had to set up my drums behind the rest of the band. Usually, as you know, we bring the drums out in front, in line with the rest of the guys. Not only did this make me feel sort of apart from the chemistry, but it made it extremely difficult to communicate things to the guys during the set. For instance, we had rehearsed a little surprise during “Hi-Ho” where we’d transition into “Transistor Intro”, and for some reason—maybe fraternal telepathy—I just knew that Bonesaw was going to forget. For the first three minutes of the song I was trying to get his attention to remind him, but because the drums were directly behind him I was not succeeding. Finally he turned around to hype the fans outside in the courtyard and that’s when I was able to send the signal. It’s captured in James Venes’ video:

Debuted our tribute track to 311 (“Crunch Dip”) this night also. Not gonna lie, I love the song, but there is a section that is really hard to sing while playing drums and it’s eating me up. But I suppose the day will come when it becomes easy. Overall though I think the tune was pretty slammin’. A shame that the place was too packed for anybody to try the accompanying dance. Actually, that’s not a shame at all, that kicks much ass.

So thanks for the energy you guys. And Labella…get the f*** onstage next time! Kidding dude, love ya.

After a brief intermission we returned to the stage for what was destined to be the main event of the evening: “FS plays 311”. Three tracks from the Blue album, three tracks from Transistor, three tracks from Soundsystem, and one from Grassroots. My favorite track to play was “Eons”, that was a blast to play and sing at the same time. Great flow between drums and vocals on that one for some reason. Rapping Nick’s parts on “Silver”—all while playing Chad’s  drums parts–was challenging but I’m glad I did it. Next time I run into those two I’m definitely gonna brag that I can be BOTH of them at ONCE, so WHATCHU GOT?? Ha! Here’s us doing “Freeze Time“. (Check out Smell at the end just crushing!)

Major, major propers to Smell for nailing not only SA’s lyrics, but his delivery as well. I can’t express how diligent Smell was with his homework on this. Well done dude. And the other guys, too! Sean on “Can’t Fade Me”, and of course Bonesaw handling some tricky cross-rhythms with Nick’s raps and Tim’s syncopated riffage. It was an honor and a true pleasure to play these in front of such hardcore Full Service and 311 fans. You are the best fans a band could ask for and if we ever take you for granted do us a favor and slap us in the damn face, ok?

So let’s keep doing our thing over here in the crabgrass, guys. In the words of myself on “Oddball Memories”…I never wanna be the best. I’ll take my friends and you can take the rest. 

And before I end this entry, I wanna thank Dan, Matt, and Heather for hosting great 20-Tour shows leading up to 311 Day. Dan, you have a great living room amphitheater set-up.  Matt, as block parties go that was pretty top-notch. And Heather…backyard Sunday afternoons don’t get much better than that. Also, your kids are hilarious. You should buy them a drum-set.

Thanks guys! Here are some of our favorite photos from the 20-Tour shows and 311 Day in New Orleans



Hoag’s Fall ’13 Tour Diary #4

Ok, diary, last we spoke we were headed onto the Rombello cruise. For those of you that don’t know about Rombello, think musical festival at sea. The Caribbean Sea to be exact. We performed with the likes of Michael Franti, Ozomatli, State Radio, G. Love and Special Sauce, Jason Isbell, Bad Rabbots, Naia Kete, Swear and Shake and many others.

I’d try to describe how magically delicious it was–the playing, the dancing, the swimming, the frolicking, but words simply would not do it justice. But I do have one quick observation. I don’t know how many of y’all have been on music boat cruises promoted and produced by Sixthman, but it occurred to me on this, Full Service’s 4th adventure, that when it comes down to it, Sixthman is a physical trainer of sorts. The cruises are a party sprint and it’s Sixthman’s job to help you reach your full party potential. When you want to quit, they’re there with a challenge to keep going. There’s always an event to take part in, always a band to go see, always a beer you should be drinking, and if you slack, you’ll blame yourself in the morning for ducking out early the night before. Because what are you gonna remember? Having had a “good night’s sleep” or having gone to the 1am silent disco dance party? So thank you, Sixthman, for encouraging us to go the distance for four full days.

But as I said, I shan’t be writing about the whole experience because it would be futile. Pictures would help you more, so enjoy the gallery below! Also take a look at the highlight reel we made for the entire 6-week Full Service tour. We can’t wait to see y’all again.


Hoag’s Tour Diary (Fall 2013, entry #3)

Over the past year and a half Full Service electric-style hasn’t done much touring. We’ve done a lot of living room/backyard touring (aka the “20 Tours”) that features the stripped-down, acoustic setup, we spent months making a record, and of course we put a lot of time into planning and executing the 2013 Full Service Circus. So this tour finds us digging back into the club circuit with our electric setup.

So we knew this tour would be a little different in that we’d have to fill some dates in some places that we’ve either never been or only been to once. With a 20-Tour it was never about “filling dates”. There’s at least one fan in every city and they would book us to come play their house and every show would technically be sold out. (There’s only so many people you can fit in a living room or a backyard, and there’s also sort of a threshold of people that when exceeded makes for a less conducive listening environment. Hence 20-50 is the perfect number, with exceptions—ahem, Jon Adams’ luau-au and Hammer and the Hare’s Ahk-Fest).

Long story short, though we knew we’d have killer shows in our usual markets, we also knew that this tour we’d be playing to some light crowds. BUT…there’s one thing you should know about us. We’ll play our arms off for just one engaged fan the same as we’d play for hundreds of engaged fans.

Roanoke. A place called “Corned Beef and Co.”. Sounds weird, but it was actually a very nice place. Great beers on tap (I had a Pumpkin Porter and a Northern Lights IPA) and good vibrations pervaded the room. And not that we don’t have ANY fans in Roanoke, but we can count them on one hand. Among them, Chandler, Joe, Matt and Scott. And of course the venue itself attracts a walk-in crowd, so we had people to play for, but it was a different sort of show. Though we played acoustic, it was not a 20-Tour situation where people sit down and watch us quietly. And though it was a venue, it was not an electric-style situation where we are up on a stage rocking loudly. So we walked a balance beam that night.

It sounded great though. So what if we were tucked into a corner next to the front door of the bar? There were people dancing, and our handful of fans seemed to know every single word of the songs we played from the new album “Carousel.” That was pretty excellent for morale. We have a great recording of the two-hour set that will be for sale after the tour.

Of course, I can’t wrap up the Roanoke diary entry without first mentioning the “Go Outside” festival we stumbled upon a few hours before the show thanks to a tip from fansaw Chandler Lamborn. Carnival meets Circus meets camping meets State Fair. After Bonesaw and I had a go on the rock-climbing wall (way harder than it looked, considering the ease with which the 8-year old girl scurried up) we threw the frisbee for a while, raced miniature bikes, and attempted to swing these little rings onto hooks attached to a wooden plank. (Maybe you’ve seen this game. It’s difficult. Sunny seemed to lock in very well but for the rest of us it was pretty frustrating).

Bonesaw and Sunny racing mini-bikes at the “Go Outside Festival” in Roanoke, VA
































Bonesaw climbing the rock wall.












Smell just chillin’.












Me dominating a parallel parking job near the venue in Roanoke. They always call me in to parallel park because I have a savant-like ability to get it done every time with just two turns of the wheel.














So Roanoke was fun. If you ever find yourself there, go grab a Pumpkin Porter at “Corned Beef and Co.” and—if it’s October—head over to the “Go Outside” Festival.

Next stop: Wilmington, North Carolina. Last time we were in Wilmington was 2005, our first ever tour. It was here on the beach before our show that we met famed fansaws Mark and Jen, aka “The Newlyweds”. 8 years ago we were handing out demos to people on the beach, trying to get people out to our show that night, when a man and woman over by the dunes hailed us over to talk. They were in town on their honeymoon and were looking for something to do that night, so we suggested our show. They came, rocked out, and they’ve been fans/friends ever since. They were also the first fansaws ever to get a Full Service tattoo. They are obviously Hall of Famers.

But, as I mentioned, they were only visiting Wilmington, so we knew they wouldn’t be at our show in present day 2013. In fact, we had no idea if anyone would be at our show in present day 2013. We hadn’t played here in 8 years, our one family friend the Platz’s were sadly out of town, and we were playing the gig without an opening band. Yikes.

Anyway, we got into town pretty early so we had time to hang out on the beach for a while and take a dip. As we crossed the bridge towards the water I couldn’t help but relive one of my fondest memories from early Full Service touring. It was that day back in 2005, and Twinky-P and I were putting up stickers all over Wilmington. Our journey took us across the very bridge we were now crossing in 2013, and we stopped about halfway to tag a big telephone pole when all of a sudden we saw a big black SUV screech to a halt in front of us, sirens wailing (whaling?). I looked at Twink, eyes wide. He looked at me the same.

“I’ll give ya TWO CHOICES!” says the big, bad, bald police officer marching towards us.

Jesus, I hope there’s a choice I prefer in this scenario.

“Take that sticker down from that pole or get hauled off to jail.

Phew. I strongly prefer choice number one.

“Ok we’ll take it down,” says Twinky-P.

“You think you guys can just litter up Wilmington like that, what’s wrong with you boys?!” as we scrape and scrape and scrape.

It’s hard to get across the incomprehensible level of intensity this officer displayed, so you’ll just have to take my word for it that it was a terrifying experience that neither Twink-P nor I will ever forget.

I made sure to snap a photo of the bridge and text it to Twink as we drove over it 8 years later. He responded with many “LOL”’s.












So we did the beach thing for a couple hours—jogging, shell-collecting, Frisbee-throwing (Dylan hit me in perfect dive-stride into the ocean to cap it off)—and afterwards we dined on some Japanese food at “Kyoto”. The craziest thing happened. The waitress came up to me and goes, “I’ll give ya TWO CHOICES! You can have the SUSHI, or you can GET OUT!” No, just kidding. But I would have been ready for it.

Showtime later that night. The moment of truth. Would anybody come out and see Full Service in Wilmington? Lo and behold, as we pile out of the van to unload, who is standing on the sidewalk but new fansaw Jim Fox. Dude flew in from Houston! Immediately we had our one engaged fan! The night would not be lost no matter what.

Still, as we started our set the floor in front of us was completely empty, as Jim was in the back playing pool with an old buddy of his from high school (I say this not to call you out Jim—in fact I totally support the pool-playing—I’m just setting up what happened next).

There was an older couple—(not “old” really, mid-50’s)—listening very closely and smiling and shouting politely “You guys are great! This is excellent stuff!”, and in fact they stayed the whole show without planning on it, so that was encouraging. But the point is, the place was pretty much empty.

And then…out of the blue…when we thought the whole show would go by with the floor in front of us completely clear and without need of an after-show sweep from the venue staff…JUSTIN GAINES comes charging up to the “front row” with a buddy of his and starts jamming out HARD. This picture really says it all (thanks Jim, for capturing the moment).












I’ve said it once, and I’ll say it again. We have the best fans in the world.

After Wilmington we had two days off before playing a show in Asheville, where we’ve never been. Everybody we run into on the road always says “Oh you guys gotta go to Asheville, you’d love it there.” I’m pretty sure Bonesaw planned these two days off so that we’d have plenty of time to explore the place.

The first day we were there we all kinda split up. Bonesaw, Sean and Dylan went on a huge 11 mile hike in the Pisgah National Forrest, and Smell and I decided to take a veg-out day and sleep in until about 1pm. We later walked over to a nearby movie theater. (We were feelin’ that kind of hike that day. Urban style. Even had to duck under some trees at one point). It was a good flick, Captain Phillips. That Hanks is a master of his craft.

But like I said, the other dudes hiked and came back with a story that made me and Smell feel like a couple of lazy goobers. Apparently the guys hiked up to a landmark called “Shining Rock” that the Native Americans believed was the gateway to Heaven. Smell and I sat in a movie theater and the other guys visited the gateway to Heaven. Pretty sure we lose that one.

Dylan and Sunny at Pisgah National Forrest

























After the movie the guys picked us up and we headed into downtown Asheville to see what all the fuss was about. Bonesaw’s old friend Semper showed us around. Had some tasty local beers, listened to some street musicians, and wrapped up the evening with a quiet dinner at an Indian place.

The next day I decided to get in on the hiking action. This time it was Sunny and Smell who stayed behind while Dylan, Bonesaw and I hiked up a mountain with a huge cell phone tower at the top. Yesterday they got the “Gateway to Heaven” and today I get…a cell phone tower. No matter, though. The tower was very impressive. And besides that, there was the view. A multifoliate ocean of mountains wrapping around us 360 degrees. Many thanks to the man-made viewing deck that made this experience possible (erected in 1979 by the Youth Corps of America). It is also on this deck that I learned that “James loves Rebecca”. I wonder when that was written and how the two of them are doing now. I like to think that they have a couple young children and maybe once a year they all hike up here and revisit the scene of their inscription.


Me at the deck railing.











Dylan, stoic.














In short, we found that Asheville lives up to its hype. And though it was our first time playing in town, we had a great show at a place called One Stop. We decided to play acoustic since it was an early show and somewhat of a mellower club, and we even set up a live stream that fans from around the country could tune into. If you missed it, there’s a link up on our facebook Full Service band page. Check it out! I think my jokes went over pretty well, and the musicianship was on point too, if I do say so myself.

Many thanks to the fansaws that travelled hours to come see us that night, among them Cirro and his wife, Oscar and crew, Justin and Shock, and Chandler. And thanks also to all the local Ashevillians that came out on a whim and showed us love. Welcome aboard! We’ll be back soon.

Now before I end the Asheville portion of the diary, I have to mention the send-off hike the morning after the show, led by Justin and Shock. These dudes know the Appalachian Trail, having done “probably 200 miles so far this year”. They came prepared with a destination they wanted us to see (Max Patch) proper attire,  hand-warmers, stuff to start a fire, the whole shebang. We, on the other hand, were wearing shorts and thin long-sleeved shorts. Sunny and Smellman were wearing sandals. Justin and Shock asked if we wanted to maybe change into something a little more…serious…but we brushed them off. Then we begged them for gloves and hats and jackets when we got to the trail-head and felt the 36 degree wind-chill.

Turned out to be quite the adventure. At the bald summit we met the type of wind you can lean into and be like Michael Jackson with that impossible dance move from “Smooth Criminal”. Dylan’s ears almost fell off and Smell and Sunny’s toes were useless, but soon after we headed down the other side of the summit we found warmth in the woods and were even able to start a 20-minute fire. I won’t ever forget that hike. That was the real deal. Thanks for leading us, Justin and Shock!



































“Build a little fire we could put at our feet”
























hike fire 1












From Asheville we sailed the Whale over to Charlotte, where we’ve played several times over the past few years. We’ve done it all here: a Takeover during the Takeover Tour, several opening slots playing electric at Amos’, a 20-tour show hosted by Will Wooten, and a film screening for the “Takeover!” documentary. So we have some fans here, most of which have turned the corner to being friends.

This time we came to Charlotte to plug in and play the full drum kit, the marshall stack, etc etc. After a deliciously comp’d meal from the venue’s sister restaurant (went with the black-bean burger) and a couple of pumpkin ales from NoDa brewing, we did a quick sound-check and then KA-BLOO-EE! We launched into a 90-minute set of FS songs old and new. From the new album we’ve generally been playing anywhere from 6-10 of the tracks. I think in Charlotte we did 7: Oddball Memories, Evergreen, Honeybee, Flower Boxes, Twangy, Me and the Moon, and Circus Freak.

Oh snap! Carly Simon just came on the hotel muzak radio here in Jacksonville. “That’s The Way I’ve Always Heard it Should be”. I won’t be able to concentrate for a few minutes. I’ll be back.

Ok, good stuff. And I don’t want any of you thinking I’m joking about Carly. She’s something special and if you can’t see that then you’re a kind of a doofus.

Anyway, Charlotte turned out to be a great one! Many thanks to our good friends in Of Good Nature for closing the show for us. And thanks for the help bringing the crowd, guys! Ya’ll sounded great.

At the end of the night before loading out of the venue I took this instantly classic photo portrait of all my tiger-kit drum hardware piled high in the hallway. I love this drum kit. I look at this photo and I see an elite team of highly trained operatives all dedicated to the pursuit of rhythmic freedom. Nice work, boys!














And here’s me and Smell with Osiel, a great fansaw.










Speaking of the hardware, before this tour we recently got a new heavy-duty case for all of it. It’s quite the monster, however, and it’s proven very difficult to conceive of a loading-technique that does not put our backs in danger of long-term injury. Everything usually goes well up until the point of actually hoisting it above the 1-inch lip just inside the body of the Whale. Without a fail, there is always a stall at this point. Much grunting, much cussing. In a weird way it sort of brings us all together. Not that I’m usually involved. I certainly have been. And I always watch. But my history of neck-spasms usually gives me a pass.

I don’t know why I’m mentioning all this. Maybe I’m hoping some of you will read it and take pity and construct some type of retractable ramp that can be installed into the back of the Whale. I dunno…Christmas is coming.

Next stop, Atlanta. As Bonesaw recalled during the show, Atlanta has a weird place in our hearts. Our first time there was on Bonesaw’s birthday many years ago, and we played to an empty club. Not a club that had a few people in it. A club that was completely empty. Even the bartendress and the sound guy left to go downstairs. (That hurt). I remember all of us turning to each other with looks that said “should we just pack up and go?” but then we all shrugged a shrug that said, “F*** it, let’s keep rocking.”

But this time, folks…this time people came out. It’s been a few years and we’ve been back a few times, and it meant so much to see so many people come out to The Vinyl to check us out.

So, as usual, there are more interesting things to talk about in this diary than the actual shows we play. Those you will be able to experience when we get home and release them all on band camp (for a small fee). I want to give you guys the in-between stories of tour-life. As such, I will now recount two misadventures from our brief stay in Hotlanta.

First of all, it ain’t “Hotlanta” in late October. It’s “FreezeYourDrumsticksOffLanta”. At least this night it was. But back to that in a moment. Let’s first talk about our parking comedy of errors.

Parking always sucks. Not just for us. For everybody, everywhere, all the time. In the canon of sucky-things-about-driving, parking ranks near the top, right near I-35 traffic, Louisiana potholes, state-trooper robotrons, and Florida’s inexplicable no-left-turns-to-be-found-anygoddamnwhere-at-all.

But with the Whale it’s a little different. We need to first live-park—hazards on—extremely close to the venue so that we can unload our gear. Best case scenario, there’s a place reserved for us. But that never happens. So here in Atlanta we had a situation where there was a line of people extended all along the sidewalk (they were headed to a different show in an adjacent venue, unfortunately, but whatever, our crowd came out later). Not only would all of these people witness the circus that became our parking attempt, but at various points we put several of their lives in danger.

After a nearby parking garage attendant told us to drive through his garage and double-back around the corner to a space he assured us actually existed, we politely asked some people to clear out of the way, confusing them with our probably-unnecessary explanation of “The Whale’s poor torqueing abilities and alignment problems.”

Anyway, so they move, and we pull into the garage. Or start to. We see another garage dude down inside the bowels and he’s shaking his head “no”. I think he’s trying to tell us we are far too big to fit in one of his spaces down there, but we’re wondering whether we’re too tall to even make it under the low-ceiling bar. It says 7 feet, but…here goes nothing.

We clear it! The dude is still shaking his head though. “You cannot park here,” he says, almost laughing. We tell him—without stopping—that we’re “just passing through”, and this seems to confuse him, but he happily returns to his little garage cabin and waves us out. So eventually we’re at the exit, trying to find this mysterious parking spot that attendant #1 told us about, but it’s nowhere. We pull out onto the street and look everywhere, but all we see are people from the sidewalk-line looking at us like “what is wrong with these hippies”. Over comes attendant #1 and he’s shaking his head and smiling. He doesn’t speak much English, but he knows how to say “WHAT you doin’ man? I try to tell you, you need back up.”


“You need back up, there”.

We hadn’t seen the space because of the sidewalk peanut gallery.

“You need back up there, but you have to go round ‘gain. Cars behind you”.

Anyway, long story short, we make another trip through the parking garage, encounter another confused look from attendant #2, more strange looks from the sidewalk crew, and eventually find the spot. Best part is, we ended up handing out flyers for the show to those people in line. Figured maybe they’d come to our show after the one they were going to was over. Even better part is, some of them did. Anything for a fan, baby!

Well, that story took too long. I don’t think I have it in me to recount misadventure #2, the one that saw us walking in the freezing cold halfway across the city to a pizza place after already having found a pizza place in the first 3 minutes of our wandering only to decide there was “probably something better close by, let’s just go a little further”, then going a little further, then turning back the way we came, past that first pizza place, to an office park that google maps told us would have places to eat, but we needed card-passes into the office buildings to get to the places, then walking back towards the club where we started, shoulders locked in muscle cramps from crouch-walking into the wind, and eventually meeting our friends Shane and crew, as well as my old college roommate Dave and his wife Melinda, at a pizza place that was definitely not a step up from the original place we had found 30 minutes ago. I’ll save that story for another time.

On the whole, though, Atlanta treated us very well. A special thanks to Will Scroggin for that tasty diner breakfast the following morning. You’re a great friend will, and a fine ambassador for the city of Atlanta.

Will and Dusty and us after breakfast.


will dusty









My old college roommate Dave and his wife Melinda.












Bonesaw with Nick and Dusty before the Atlanta show.














Two hours south of Atlanta there’s a place called “Valdosta”. Anybody ever heard of it? It’s a college town I guess, and I think I’d heard of it before knowing we had a show booked there, but I can’t be sure. In any case, a place called “Lucky’s” hosted us and—thought it was our first time there—we ended up playing a very enjoyable 2-hour set to a very attentive crowd. They even liked my jokes! We got a great recording of this performance, too, and a pretty cool video of my drum solo that Bonesaw shot from stage. Check it out…

So now we’re here in Jacksonville Beach with a couple days off before our show tomorrow here in town. We’ve been chillin’ pretty hard. Beach, hotel hot tub, laundry, watching the World Series. (An obstruction call and a pick-off play? As Bill Simmonds said, “This World Series is on drugs”).















Hot tub












Poolside Reading












After the Jacksonville show we have a 20-tour acoustic show on Merritt Island, and then it’s time for the Rombello Caribbean Cruise! See ya’ll soon!

Oh yeah, since we last spoke I got real into the Bitstrip fad. Here are some of my favorites:












IMG_1377 IMG_1387










IMG_1375 IMG_1369










IMG_1389 IMG_1370









IMG_1384 IMG_1381












Hoag’s Tour Diary #2 (Oct. 2013)

Nothing makes you feel older than playing a show at a college party, which is what we did last Thursday at Princeton University. (Maybe you’ve heard of it. SMAHT KIDS!). A family friend of mine and Bonesaw’s hooked up the show for us at his “eating club”, which is what fancy-pants Princeton calls its fraternities. That sounded snide. The eating clubs are actually very awesome (that word is for you, Rich, I know you hate it. Damn, that, too, sounded snide. I’m on a roll).

Anyway, like I said, the “eating clubs” are great. Old houses. A bunch of students. Study rooms, game rooms, a tap room (how do they make sure everyone’s 21? They have “procedures in place”), and a most excellent dining room.











We got to campus around 5pm and Mike showed us arou—oh wait, I need to first explain how exactly we know Mike. So about 18 years ago Bonesaw and I and Momsaw and Dadsaw are on the beach in Nantucket and we see this little 5 year-old kid having a catch with his father. Back and forth goes the ball. For like 45 minutes. The dad is starting to look a little tired but bless his heart, he doesn’t quit because the kid obviously can’t get enough. So finally Bonesaw gets up (he was Tim back then actually) and he asks the Dad if he needs some relief. The dad (Rich, to whom I referred above) sighed a big “yes” and handed off his glove. We’ve all been friends ever since, and Mike is now in his junior year at Princeton.














Back to the recap. So we pull into campus around 5pm. Unload, etc etc. Then Mike takes us on a long walk around the University for about an hour. Top 2 highlights were the animal heads and the church. We all posed under our favorite animal, and we sat inside the church and listened to a choir rehearse for what sounded like some type of Halloween-themed concert that must be coming up. The place was pitch black (which made it easier to appreciate the gargantuan stained-glass windows) and after the first song the singers made ghoulish sounds that reverberated into infinity. (I actually shuddered).






































After the tour we headed back to “Tower Club” (the name of Mike’s eating club) and were treated to an Oktoberfest-themed dinner from the house cooks. Delicious. Sausages and wursts and a Dogfish Punkin’ Ale for me. Mmm-hmmm.

So up to this point we weren’t feeling too old. It was when we put on some pre-show music to get the crowd pumped that we realized we were ancient. We put on 50 Cent’s “Get Rich or Die Tryin’”. A great album. A true classic in fact. BUT…we did the math and realized that there were people at the party who were 8 YEARS OLD when it came out. Woah. (Neo—The Matrix).


Smell waiting to take the stage at Princeton.














Other than feeling old, it was a great time. Mike is a dear friend and he went to a lot of trouble to make this an enjoyable night for us. It was a trip seeing him in his element, as an adult. The same dude with the rubber arm who never tired of throwing the baseball that one day on the beach. Now he’s a wicked smaht-kid doing his thing at Princeton. Thanks Mike, you’re the man.

Next day we did Philly, my and Bonesaw’s hometown. We were thrilled to see how many people came out to fill the place up. Old friends, many of whom we’ve known since Kindergarten, mixing in with fans we’ve made along the way. “You guys have FANS,” said my friend Jeff, who hasn’t seen us in a while. Yeah dude, and they’re the best freakin’ fans in the world. One group led by Theresa and Nick brought us 12 custom Full Service pint glasses with our Whale logo on them. What?? Thanks you guys.


Theresa and Nick.












Played a nice long set, too. One thing I should mention is that we have been recording every show and we’ll have them available for sale on bandcamp once the tour is over. Here’s a little sample. It’s my drum solo from Philly. So enjoy.



Oh and one more notable thing from the Philly show. Too good not to mention. (Earmuffs, kids). As the opening band was wrapping up, they started pumping up the crowd for Full Service. “Who’s ready for Full Service! They’re comin’ up soon. Also, big shout-out to their dad, who was looking for a parking space and found us smoking weed in the parking lot but was totally cool about it!” Right on Dadsaw, wait to lay off the non-violent drug offenders!

What was after Philly? I’m taking you all through my head in real-time here folks. Gimme a second….hmm…Oh, yeah. The School of Rock in Berwyn, PA. This was a special show for us. Sometime early last week Bonesaw got an email from his old guitar teacher—from when Bone was 15—saying he saw we had a hole in our schedule and was wondering if we’d like to come rock out for some of his students at one of those Schools of Rock. Our reply was obviously “Hell yeah,” so we headed out there and wow…this place was the real deal. If they’d had these when I was a kid…man. I’d have spent all my time there. Huge facility, with a club attached to it that boasted a stage and sound-system you typically only see at a House of Blues. Our sound guy Dylan said it doesn’t get much better than that in terms of a balanced and tuned sound-space.

But besides all that, it was such a blast reuniting with Rik, Bone’s old teacher. Rik had us sit down in front of the stage before the show to talk to his students about “The Biz” and about what it’s like and what it takes to be in touring band. These kids were so well-spoken and confident and enthusiastic. Not a jaded one amongst them. That’s so refreshing. So we had a little pow-wow with them and then we rocked that awesome stage for about 45 minutes. We even invented a game during this show. You might remember from my last diary entry that I am now under-lighting my drums with colored lets. Snare drum is blue, rack tom is green, floor tom is red, and kick drum is yellow. So we had the kids yell out one color at a time, and I had to play that pattern back to them based on the drums. It’s up to them to remember the long sequences they eventually create, and it’s up to me to accurately translate that sequence to my drum kit. And I gotta say, it makes for some killer drum licks. Proud to say I won the inaugural game of “Drum Simon”. (You guys remember that game “Simon” with the colored lights and the patterns they give you?)

Many thanks to Rik for having us by the School of Rock. Rik, it’s very cool what you’re doing for this kids. And kids…keep the dream and the love of rocking alive.














Next stop: Newport, Rhode Island! What a gorgeous town. Very old, very quaint. Rocky coastline that is different from the wide sandiness of much of the New England seaboard. Our friends in Badfish helped us put the show together at a nice little Tavern downtown, perfect for our acoustic set. The owner was such a great dude. He treated us to many fine beers and also great conversation. His wife even stayed to watch us, which apparently is remarkable because she usually splits once the bands start playing. It was nice to mix in an acoustic set in the middle of this entirely electric tour. And Newport showed UP, man! On a Monday night. Thanks no doubt to a concerted promotional effort from Pat, Joel, and Scott in Badfish. As a thank-you we invited them (forced them) to treat us and the crowd to a tune from their original band “Scotty Don’t” in the middle of our set.

It’s always great to catch up with the Badfish guys, too, so we arrived in Newport with plenty of time to play soccer at Joel’s house, see his kids and wife Amber for a bit (their littlest Brady—6—apparently almost beat Smell in chess. God how I wish that had happened), and slam a nice big taco dinner.














Then the next morning after the show Pat took us to his new burger joint that he co-owns with his wife Ali. They were debuting their breakfast egg sandwich that morning so we were the guinea pigs. It. Was. RIDICULOUS. If you’re ever in Newport, go to “Mission” for either breakfast or a lunch burger. They have great beers too, many of which I have surprisingly never seen before. Ya done good, Pat and Ali. Keep it up.

Us with Ali and Pat outside Mission.














Dylan and the poster outside the Tavern in Newport.














Our stage setup at the Tavern.














After breakfast Pat took us on a tour of old Newport, with all the absurdly huge houses along the beach. I’m talking Rockefeller, Vanderbilt, and Kennedy mansions. Even the haunted castle of famed occultist Aleister Crowley. Just looking at that thing was scary.













Sunny’s shot of the beach in Newport














Me with “Beach Hoag”












Finally it was off to New York City. Who the hell knew how we’d do in New York City on a Tuesday night, but we took it as a good sign when we randomly bumped into legendary fansaws Klawson Borges and Sean Star on the street. Seriously how many freakin’ people in this city and we see them in the first five minutes, like 5 hours before show time?












Didn’t really do much before the show. Hit up a Chinese restaurant, loaded in, ya know. But when it came time to play, we were excited to see that people came out, just like Newport. We played a short set because of the tight schedules surrounding the CMJ Music Marathon, but I like to think we made the most of it. There were some very important people to us at this show. Our first true believer in the industry, Matt Maietta. My college buddy Hannah. My high school buddy Taylor. My cousins Dave and Zach. Sean’s brother Chris. Bonesaw’s old students Ben and Dave. And one of the founding members of comedic rock group “Fortress of Attitude”, Dr. Genius, who told me not to be too discouraged when I don’t get a huge response on my on-stage knock-knock joke interludes. “You’re telling knock-knock jokes. The highest achievement for you in terms of a response is somewhere between a chuckle and a chortle.”

Bonesaw and i with our cousins Zach and Dave












Next day we headed to New Haven for a show at Stella Blues. I would have liked to get into town earlier to check out all my old haunts from college (actually who am I kidding, I didn’t have any haunts, I spent all my time in the dorm basement playing drums), but we did something way cooler; we spent the day in Wilton, CT with my sister-in-law, three nieces and nephew. (My brother Tyler, a baseball writer for the New York Times, was out of town covering the American League playoffs). We ate butternut squash soup, jumped on the trampoline, made an obstacle course, and buried ourselves in leaves. Curious that at Princeton I felt very old, but in Wilton with my nieces and nephews I felt like a 5th grader. Trampolines can have that effect.

So after my sister-in-law sent us off with dinner-to-go (steak tips and rice), we hauled up to New Haven to see what we could do. And AGAIN…people came! What the heck? Maybe I oughta get used to this. I mean I was expecting Chicago and Philly to be great, because we come here a lot, but a lot of these cities we’ve never been to before or have only been to once, or not in a very long time.

Our niece, Rory.














Me and my nephew Mack doing the obstacle course.










The stage at Stella Blues was tiny, so we had to angle the drums off to the side, tuck Smell towards the back, Sunny staggered to the right, and Bonesaw wedged in there in the remaining space. Started off acoustic, which is a bit unusual. I think “Hallways” was first, then “Greettings” and then Bonesaw moved to his electric for “The Pieta”. Had a great game of “Drum Simon”, too. I actually lost! This kid came up with a killer combo. That’s what’s cool about our new Simon game. Just like in boxing, you beat your opponent with a “combo”.

Also, some dude actually got the correct answer to Bonesaw’s “Heavy Metal Trivia”! That never happens! We were stunned. I have a slight suspicion that Bruce (now travelling on the west coast) tipped him off, but I cannot confirm.

Smell performing “Canopy”.












So great to see all those people out in New Haven. Martone crew, Whit crew, Axl, Alec and Linnea, Kristen, Sheri, Per, Narwold, and all the rest.

Us with Alec, Linnea, and Kristen.












I will leave you all with this photo I took from outside Stella Blues.












Signing off for now. Next up, Roanoke and Wilmington.